Showing posts with label Jamaica. Show all posts
Showing posts with label Jamaica. Show all posts

Saturday, May 21, 2016

Alborosie - Freedom & Fyah - Album Review


Today has been a good day.

It started with finding a fully working 40" Samsung TV. Nice.

Then I got my hair cut. Nice.

Then when I got home, I logged on to Spotify and FINALLY the new Alborosie album Freedom & Fyah was sitting there waiting for my ears.

Having heard the single 'Fly' a couple of days ago and being pretty disappointed with it because of the horrendous overuse of autotune on it, I was actually dreading hearing the new album.

I'm going to talk a bit more about the autotune thing in a minute, but for now I'll let you know what I think about the album as a whole. It's been three years since Alborosie's last album 'Sound the System', which was a corker. Just about every track on the album is great.

Two years before that album came '2 Times Revolution' which was also really good and had a hefty amount of cracking reggae tunes on it, and was a welcomed follow up to 2009's 'Escape from Babylon' which was the first taste I had of Alborosie, and he immediately became one of my favourite contemporary reggae artists, and he is by far the most authentic white reggae artist that I listen to.

Read about him here: https://en.wikipedia.org/wiki/Alborosie I can't be bothered to tell you about him.

Over the last year or so there have been a few tracks released by Albo, and it kept me in suspense, really excited for the new album which I have listened to three times already today - so that tells you it's good already.

It does lack some of the catchiness that I've become used to from Alborosie, but nevertheless, the album is consistant and has been more or less worth the wait.

My favourite tracks are 'Rich' and 'Poser' which are probably the albums strongest, catchiest tracks.

My biggest criticism of the album, and not just Alborosie's - I'm talking about a lot of current reggae artists here too - there's just way too much autotune used throughout the album. When used sparingly, and well, autotune has its uses and place within music (never thought I'd hear myself say that!) but seriously, it's to the point of overkill here, and that made me a bit sad.

Alborosie can sing, so why not just sing the parts instead of singing them and then murdering them with the autotune? For me, it's honestly enough to shorten my listening span of this album, and although he's used it on pretty much all of his albums to a degree, this one just takes it too far.

The man can sing, and has a great voice, but honestly, if you can't sing a certain melody well, get that person that's featuring on your song to do it!

Anyway, I'll shut up about it now, but reggae artists - please please please put the autotune to rest and leave that to Ke$ha and the other artists who need it in the mainstream charts.

As with all of Alborosie's previous albums, this one is really well produced and mixed - Albo has an incredible knowledge of reggae production and there are some amazing videos on YouTube of him in his studio mixing some tunes and it's hypnotising to watch him do. His dub albums are also great - check out 'Dub of Thrones' your ears will thank me if you like a bit of dub reggae!

The only thing I felt this album was truly missing was the little bit of rocksteady/ska that he usually manages to squeeze in on at least one track, the song 'Goodbye' featuring Nina Zilli on his last album is an ear worm for sure.

All in all, my ears were most pleased with 'Freedom & Fyah' but as with all of the albums I've been waiting for that have come out this year, I just hope the wait for another one isn't too long.

I'm giving this album 5 out of 7, it might've got a 6 if it wasn't for the autotune overkill.

Monday, March 14, 2016

Lee 'Scratch' Perry - Concorde2 13/03/16


Picture this...

The year is 2036.

You (if you're lucky enough to still be alive) or your children, or your children's children are at a local music venue that has been around for a long long time.

It has history. It's been refurbed a thousand times, but essentially it's still the place you threw yourself on and off the stage during concerts when you were in your teens, twenties, and possibly thirties.

The venue is packed and the crowd are warmed up.

A four piece band take to the stage and start playing classic G-funk era hip-hop songs, such as 'Let Me Ride', 'Ain't Nuthin' but a G Thang' and 'What's My Name' and then suddenly a 79-year-old Dr Dre comes out and starts chatting shit over the top of the tracks.

Possibly wearing a 17 high stack of Raiders baseball caps, and 50 pairs of headphones (Beats of course) around his fat but flabby aged neck.

The crowd love it. They go as mental as the guy standing in front of them, who kind of sounds like he's reciting actual lyrics, but mostly sounds like he's making it up as he goes along, but it somehow works and everybody gets in to it and dances/bops/sways along.

Well, basically, that's pretty much what seeing Lee 'Scratch' Perry is like. The only other comparison I can think of would be a Public Enemy live band with only Flava Flav as the front man.

LSP is a living legend, the man who pioneered dub reggae and produced some of the most memorable and important reggae songs, albums and artists of all time. Not much of a singer, or artist in a traditional sense. I mean, not in the same way Bob Marley was an artist.

But LSP created so many reggae superstars and gave them his trademark sound, and so has every right to stand on a stage with a band recreating those classic tracks that he crafted over the years, and basically do and say whatever he wants over them.

Literally.

He's that much of a legend, the guy could read from the back of a packet of peanuts and make it engaging, amazing and brand new.

An eccentric character, unique, one of a kind, and somebody that will never be replaced when his time finally comes to head up to Jah on a big cloud of ganja smoke. True legends are thin on the ground these days, no thanks to 2016's hunger for stealing greatness away from us mere mortals, and I'm so glad I got to see LSP in a more intimate venue before, god forbid, anything happened to him...

Read more about LSP here: Lee 'Scratch' Perry Wiki

#Reggae #Dub #LeeScratchPerry #Legend